Chelsea Wolfe will be performing at Desert Daze 2018. More information HERE.

Full article by Annie Zaleski via Las Vegas Weekly

Ministry has been on an opening-act hot streak lately. In 2017, the industrial pioneers toured with hip-hop rabble-rousers Death Grips, while for its March 24 Vegas show, the band has enlisted bewitching dark-rock artist Chelsea Wolfe to open. Here are five reasons that pairing makes perfect sense.

1. Both artists relish blurring genre lines. Ministry has a well-documented knack for deconstructing electronic, rock and metal sounds, then reassembling them into new, punishing compositions. Chelsea Wolfe, meanwhile, defies sonic categorization. She combines doom-drenched folk-metal, sludgy drone-rock infected with distortion and fuzzy stoner howls cut through with pulsating electronic elements.

2. Their latest albums redefine “heavy”. Ministry’s new AmeriKKKant, is full of bracing political invective cloaked in diverse shades of aggression: barking thrash metal, sample-heavy electronic pastiches and piledriving hard-rock churns. Chelsea Wolfe’s latest, September’s Hiss Spun, is more inward-looking, but no less unsettled—perhaps because her approach is rooted in nuance, from growling death metal roars (“Vex”) to haunted house-creepy cinematic interludes (“Strain”).

3. Each artist thrives on collaboration. Wolfe and Ministry frontman Al Jourgensen both surround themselves with ace collaborators. Wolfe’s Hiss Spunfeatures Queens of the Stone Age’s Troy Van Leeuwen and was produced by Kurt Ballou, whom she met after performing and singing with his band, Converge, in Europe. Jourgensen has always juggled a bevy of side projects (RevCo, Surgical Meth Machine, 1000 Homo DJs) and production work. And he has weathered a bevy of dramatic Ministry lineup shifts, which have occurred due to disagreements, health issues and, sadly, death.

4. Both have received pop-culture boosts. Wolfe’s music has been used to promote Game of Thrones, How to Get Away With Murder and Fear the Walking Dead, while her song “Carrion Flowers” recently appeared in a Jaguar ad. Ministry’s pop-culture footprint isn’t quite as high-profile these days, even if Jourgensen’s 2013 memoir Ministry: The Lost Gospels According to Al Jourgensendid make a stir. Still, 2008’s “The Great Satan” landed in Rock Band 2, Ministry videos appeared regularly on Beavis & Butt-Head and the band itself had a small part in Steven Spielberg’s 2001 film A.I. Artificial Intelligence.

5. Both artists disavow an early album. In 1983, Ministry released its major label debut, With Sympathy. Although the well-crafted LP contains dark synth-pop with a danceable funk edge, Jourgensen has been notoriously hostile toward it. (Though he may be warming to it: In 2014, he shared a With Sympathyouttake himself.) Wolfe recorded a full-length called Mistake in Parting in 2006 that she regrets making. “I was 21 years old and wrote a sh*tty singer-songwriter breakup album,” she told Prefix in 2012, calling it an “over-produced, terrible record.”

Episode premieres today (03/19/18) at 3:00pm PST on Red Bull Radio

Chelsea Wolfe honors the late Jóhann Jóhannsson with an episode dedicated to compositions by Mica Levi, the Chemical Brothers and others.

“Welcome back to the Hypnos Hour. This month I’m exploring compelling film scores, and I wanted to start with pieces from very different films about alien life — the first one is by the late, great Jóhann Jóhannson, whose fantastic body of work inspired this episode, and he essentially created an alien language for the movie Arrival. Then it’s multi-instrumentalist Jonny Greenwood, creator of powerful film scores, with some new work for Phantom Thread. ‘Cut off a wolf’s head, and it still has the power to bite.’ (Miyazaki). Goodnight.” – Chelsea Wolfe

Produced by Harley Brown
Engineered by Marc Übel

Chelsea Wolfe // Crash Magazine’s 20th Anniversary – REVOLUTION MUSIC ISSUE

Photos by James Mountford

New Chelsea Wolfe merch collaboration with KRAW up for pre-order + limited tour shirt that will be available at the Ministry shows.

Order HERE

Chelsea Wolfe, whose genre-blending music has appeared on “Game of Thrones,” “Fear the Walking Dead” and “How to Get Away with Murder,” says she’s embracing her anxiety, her dark past, and “the mess of yourself” on her new record. “I want to face the chaos of the world with my own internal chaos,” she told the New York Post in a sit-down interview. As a child, Wolfe was taken to a sleep center to treat her insomnia and night terrors, from which she continues to suffer. Now she’s using this experience to make art, and is selling out venues across the world. Wolfe’s fifth album, “Hiss Spun,” is out now on Sargent House.

Full article with video here. 

New shirt design up in my @hellomerch store ☮️
a collaboration between @maartend & I, all proceeds will go to the UN refugee agency 💟
see the evolution of the design in my story, which was inspired by Leonard Knight’s Salvation Mountain & holds lyrics from Hiss Spun..